Steyerl has been a professor of New Media Art at the Berlin University of the Arts since 2011 and the co-founder of the Research Center for Proxy Politics, a long-term research program for students.

Steyerl embarks the viewer on a metaphorical journey aboard Leonardo's vessel. Venice's laguna, palazzi and skies, generated by Artificial Intelligence video processing, flow dreamlike and foreign, while a voice-over speaks of technology, power, corruption, art and warfare, topics that the artist has explored thoroughly over the last years.

Share your K+ with the exhibition: #KplusSteyerl Hito Steyerl’s series of projects at the Serpentine Galleries is positioned around ideas of ‘power’. Beginning from the premise that ‘power is the necessary condition for any digital technology’, the artist considers the multiple meanings of the word, including electrical currents, the ecological powers of plants or natural elements, and the complex networks of authority that shape Hito Steyerl was born in Munich in 1966, studied at the Japan Institute of the Moving Image (formerly the Yokohama Broadcasting Technical School, founded in 1975 by Shohei Imamura), then at Munich University of Television and Film before presenting a thesis in philosophy at Vienna Academy of Fine Arts. Hito Steyerl is professor for experimental film and video and the co-founder of the Research Center for Proxy Politics at the Berlin University of the Arts. She studied cinematography and documentary film in Tokyo and Munich and wrote her doctoral thesis at the Academy of Fine Arts in Vienna. Her research focuses on media, technology and the distribution of images.

Steyerl

Text by Nora M. Alter, Karen Archey, Teresa Castro, Alexandra Delage, Thomas Elsaesser, Ayham Ghraowi, Tom Holert, Florentine Steyerl’s recent artworks cover subjects as diverse as video games, surveillance and art production. Her series of projects at the Serpentine Galleries was positioned around ideas of ‘power’. Beginning from the premise that ‘power is the necessary condition for any digital technology’, Hito Steyerl was born in Munich in 1966, studied at the Japan Institute of the Moving Image (formerly the Yokohama Broadcasting Technical School, founded in 1975 by Shohei Imamura), then at Munich University of Television and Film before presenting a thesis in philosophy at Vienna Academy of Fine Arts. Hito Steyerl is professor for experimental film and video and the co-founder of the Research Center for Proxy Politics at the Berlin University of the Arts. She studied cinematography and documentary film in Tokyo and Munich and wrote her doctoral thesis at the Academy of Fine Arts in Vienna. Her research focuses on media, technology and the distribution of images.

TILLBAKA | NÄSTA. Hito steyerl - upplösning bestämmer synlighet, det som inte fångas av upplösning är osynligt. TEXt: karolina pahlén, publicerat 2017-01-13.

Then a woman appears, dressed in black. 2019-10-18 2020-03-25 2014-03-13 Nurah Abdulhaqq seen during an interview in Hito Steyerl’s “Drill” (2019) at Park Avenue Armory, 3-channel video installation, 21 minutes, HD video (all images courtesy the Park Avenue 2017-11-12 Both Rosler’s and Steyerl’s work reveals a renewed interest in 1980s cyborg discourses, which are now returning in the guise of human-enhancement research. Steyerl’s work also influenced by dystopic science fiction explores how forms of technology such as robotics are used in warfare and surveillance as well as for humanitarian crises, and how they are also viewed without irony, as a form of techno-fix. Hito Steyerl, a filmmaker and a writer based in Berlin, is perhaps best known for her video essays, which delve into pressing contemporary issues such as globalization, feminism, militarization, and, arguably most central to her practice, the mass proliferation and dissemination of images and knowledge through digital technology.

Hito Steyerl is a contemporary German artist, filmmaker, and essayist whose work challenges media by subverting it and exposing its duality. View Hito Steyerl's

Hito Steyerl gör en form av essäistiska dokumentärer som förhåller sig till världens överflöd på bilder och hur dessa bidrar till att forma vår Pages · ≈ · Artists · 2013 | Edgardo Aragón · 2013 | Gunilla Hansson · 2013 | Hito Steyerl · 2013 | Jesper Norda · 2013 | Tatiana Musi · 2014 | Trevor Paglen Hito Steyerl Kate Crawford and Heather DeweyHagborg during u201cArtists on Fascism and Facesu201c talk.

In this essay collection, she deals with … Publiken söker en diagnos på vår tid och Steyerl är oraklet som svarar: liquidity. Vidunderlig video Hennes video är vidunderligt skickligt gjord, muskulös, pulserande, visuellt spektakulär, perfekt ljudsatt och med diagram och internetfönster som öppnas och stängs; ibland filmduk, ibland dataskärm, tv-skärm eller smartphone i ett oändligt, cirkulärt flöde. Hito Steyerl är filmmakare, författare och konstnär. Hon är också professor i mediekonst på Universität der Künste i Berlin. Hito Steyerl.
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Hito Steyerl is a German Postwar & Contemporary artist who was born in 1966.

"Where can contemporary art go under global war and fascism?"--. Förbättra sökningen med hjälp av filtren: Hito Steyerl - the Wretched of the Screen. E-flux Journal (Häftad, 2012) - Hitta lägsta pris hos PriceRunner ✓ Jämför priser från 4 butiker ✓ SPARA på ditt inköp Artist, filmmaker, and writer Hito Steyerl is an acute observer and interpreter of globalized and digital cultures. This book examines three of Steyerl's large- Hito Steyerl är verksam som teoretiker och filmare.
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2013-10-02

I don't know shit about contemporary art, bu Hito Steyerl, How Not to be Seen: A Fucking Didactic Educational .MOV File, 2013. passages February 04, 2015 Harun Farocki (1944–2014) “THINGS TO BE DONE.

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Hito Steyerl utbildade sig till filmare och dokumentärfilmregissör 1987–1990 på Japans filmakademi i Tokyo för Imamura Shohei och Hara Kazuo. Senare

2014-07-18 · Beginning with an unprintable adjective, the subtitle of Hito Steyerl’s latest New York show identifies it as a “Didactic Educational Installation.” But don’t be misled.